DANIJELA ZDRAVIĆ MIHAILOVIĆ, MA (1974) finished Music College in 1995 and graduated in 1998 at the Faculty of Arts in Priština, in General Music Pedagogy, at the subject Musical forms. In 2000, she was a winner of the scholarship of the Ministry of Science and Technology as one of the participants on a project The Serbian artistic music and folklore. She obtained her MA degree in 2005 at the Faculty of Music Arts in Belgrade in the field of Musical forms with the theme The Types of the reprise in the sonata form-the first movement in the string quartets of the classical composers – Franz  Joseph Haydn and  Wolfgang Amadeus Mozart. Since 2003, she has taught the subject the Analysis of musical work at the Faculty of Arts in Niš, currently in title of a professional instructor. She is one of the organizers of the scientific forum The Approach to a music work at the Faculty of Arts in Niš and a reviewer of the Proceedings published by the Faculty. She is the author of numerous works in the field of the music theory and analysis, as well as the music pedagogy. Her doctoral dissertation theme The Aesthetic experience of music in teaching practice is approved at the Faculty of Philosophy in Niš, Department of Pedagogy. Works: The Forms of the dynamism of the reprise in the sonata form of the classical composers, The  Journal for literature, language, art and culture, Heritage no.4, the Faculty of Phililogy and Art, Kragujevac, 2006; The Status of the reprise in the sonata form, The Music theory and analysis 4, the Faculty of Music Arts, Belgrade; The Specificity of the dramatization of the sonata cycle as a reflection of the dynamization of the reprise in the first movement of the symphonic cycle – Franz  Joseph Haydn: London symphonies, the International scientific forum The Days of Vlada S. Milošević, the Proceedings, the Academy of Arts, Banja Luka, 2007; The Characteristics of the dramaturgy of the sonata cycle in London symphony no. 104 by Franz Joseph Haydn, The Music theory and analysis 5, the Faculty of Music Arts, Belgrade, 2008; The Dramaturgy of the sonata forms in the first movements of Haydn^,s string quartets op. 76 and op. 77, The International scientific forum The Days of Vlada S. Milošević, the Proceedings, the Academy of Arts, Banja Luka, 2010; The Interpretation of the periods in the literature of Serbian, Russian, Bulgarian and Macedonian authors (Peričić, Mihajlović, Popović, Zatkalik, Mazelj, Stojanov, Bužarovski), The Music theory and analysis 7, the Faculty of Music Arts, Belgrade, 2010. Works in print: The Characteristics of the music phrase in the third movements of Haydn’s  London symphonies, The Approach to a musical piece, Between the parallel and contrastive period-a proposal of a period typology according to the characteristics of a thematic plan, The Classical sonata form in the textbook literature, A Manual for the analysis of simple forms 1 (baroque and classicism).